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T41:ESP Theatre for One: Extrasensory Performance,
Princeton Atelier, May 2007.
In collaboration with magician Steve
Cuiffo (the magician whose effect lit the idea of Theatre
for One), and Dramaturg Michael Cadden, I worked with students
as part of the Princeton University Atelier program. Steve
and I went into the project with the intention of using Theatre
for One to explore ESP, and discovered that the university
was home to the Princeton Engineering Anomalies Research (PEAR)
Lab **. Their research, particularly related to the role emotional
resonance plays in the interaction of human consciousness
with random physical processes, was inspirational to our work,
which manifested in a single performance. The students: Annabelle
Beaver, Julia Cain, Will Ellerbe, Duygu Gozeler, Daniel Hawkins,
Andy Hoover, Erica McGibbon, Annie Preis, and Zach Zimmerman
performed and wrote original pieces for the event. Time limitations
and our desire to share the work with a larger audience than
One, caused us to shape our performance into an experiment
led by Steve, which examined, not only the effects of an enhanced
Theatre for One space on magic and intimacy, but also the
role an outside viewing audience with intentional focus could
have on what transpired. Audience members were given pencils
and booklets to use in executing specific tasks designed to
direct their focus. Individuals were randomly selected to
enter Theatre for One and view the performances which were
simultaneously projected on two screens outside of the booth.
Robert Jahn and Brenda Dunne, the founders of PEAR, were in
attendance during the performance and monitored the degree
of resonance in the room at different times with a Random
Event Field Generator. Visit the PEAR website at http://www.princeton.edu/~pear/to
learn more about their work.
LOT-EK, Ellen Goellner (Atelier Director),
True Love Productions, Paul Muldoon (Atelier Chair), Toni
Morrison (Atelier Founder), Chris Wiggins (T41 Construction),
Penny Omoto (Lighting Design), Jane Cox (Lighting Consultation),
Darryl Waskow (Production Manager), Jennifer Birge (Project
Manager), Tim Godin and Bill Wilson (Carpenters), Allen Grimm
(Master Electrician), Kathy Fabian (Interior Upholstery),
McCarter Theatre (Equipment Lending), Gian Marco LoForte and
Ioannis Sochorakis (Cardboard Mock up Builders), Sara Walsh
and Diana Bibee (Painters), Cathy Cann (Costume Support),
Julia Cain (Sound Design and Stage Manager), Louis Scheeder
(NYU Adjunct Faculty Grant), Danny Bright (Photographer),
John Huntington (Technical Consultation), Michael Cadden,
Steve Cuiffo, Brenda Dunne, Robert Jahn, and Amy Rubin, must
all be thanked for their participation and support.
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