Arts Brookfield presents

Theatre For One:

Here Is Future

August 5-22, 2021

Theatre for One returns to Arts Brookfield in its new Manhattan West plaza location with HERE IS FUTURE, a series of newly commissioned micro-plays by Jaclyn Backhaus, lydia r. Diamond, Stacey Rose, DeLanna Studi, Regina Taylor and korde arrington tuttle. What do we bring forward? What do we build anew?  The future doesn’t come from nowhere. It gets made now, here, with you—one actor, one audience member at a time. 

What do we bring forward?

At the onset of the COVID-19 shutdown our computers became our prosceniums and  Arts Brookfield commissioned our first online presentation. Here We Are, amplified the voices of 6 writers grappling with our heightened disconnection and national reckoning with their original micro-plays performed live to an audience of one at a time. Now, one year later, we look to playwrights to frame our future as we re-engage face to face, person to person, present to make future. 

What do we build anew? 

For Theatre for One, that means access in every sense.  Performances are free and open to the public. Our new booth makes Theatre for One, Theatre for all, (one person at a time). It is ADA accessible and features a new, advanced air circulation system. Performances will include adaptations for visually and hearing impaired audience members.

Program Notes:

On one side of our new THEATRE FOR ONE in bold block letters reads PERFORMER. On the other side of the booth, equally bold, reads AUDIENCER. The addition of the R is intentional, though my computer is sure it's a mistake and has underlined it in red.  When we first started making Theatre for One, close to 20 years ago, I realized that the equalization of presence between performer and audiencer that this space and form facilitates is at the core of what makes the interaction unique. Accepting the role of the sole audiencer requires a degree of bravery, and as one discovers once one is facing the performer, a willingness to listen, curiosity, and an unspoken commitment to be reciprocal. Whether or not you as audiencer remain silent or feel moved to speak, (there are no rules or expectations), you are an active presence. That's why we've added the R: PERFORMER+AUDIENCER= THEATRE FOR ONE

In recognition of the times we are in, we have reached back to early peep show influences and have installed a plexiglass divider between the performer and the audiencer. We recognize and acknowledge that the degree of bravery required for your role today is higher than it has been in the past, even with all precautions taken to ensure your wellness. We often talk about artists taking risks.  Performer and audiencer have become equal here too. We take risks because we want to get to the other side of a person, a situation, or a limitation. We break records, and glass ceilings, we reach through fourth walls and look more deeply into eyes when we can't see mouths through masks: PERFORMER+AUDIENCER= PERSEVERANCE

The words you hear today, though spoken by one person, are brought to you by a chorus of people, composed by 6 fiercely articulate writers, performed by 7 virtuosic actors, directed by 4 intuitive conductors, crafted by 4 (+ 1 assistant) devising designers, 8 octopus theatrical arms, 3+ stage managers, 4++ arts brookfield angels, an actual angel named sam, past presenting angels, 2 brilliant lot-ek architects, 1 resilient resident director, 2 artistic directors,  forward-thinking technicians, committed carpenters, garment manufacturers we will never meet, chair builders, carpet weavers, and more. Theatre for One is made by many. Thank you for being one of our many by being here today: PERFORMER+AUDIENCER= THEATREFORONER

 - Christine Jones, creator and artistic director

Sitting in our Theatre for One, waiting for tech to begin, before the slider door opens, I am afforded the opportunity to reflect on the past 18 months. As the sounds of midtown fade into a low rumble, sinking into a velvet theatre seat feels all too familiar, yet distinctly and uncannily different. I think about the performers, directors, designers, writers and technicians mingling outside the booth, trying new takes on lines, changing costume pieces, chatting about newness of being gathered again. I think about how a livelihood built on connection and chemistry vanished as quickly and unexpectedly as the some of the greatest theatrical scenic changes. I think about the tenacity of the artists who, in the face of an insurmountable challenge, surmounted it. Handily. Breaking out their webcams and creating art in the midst of chaos. Using desk lamps as lighting gestures, fitting costumes in their closets, rehearsing across continents to create something ephemeral, instantaneous and singular. I think about the audiencer that will soon be filling this same seat, the 18 months they have endured, the connectivity that they’ve lost and the adrenaline of waiting for a live performance from a stranger after an era of precisely planned encounters. Maybe most of all, I think about those that will never have the opportunity to sit in this chair, those of us that didn’t make it to this curtain rising again and the wisdom they’d impart about taking this moment in. We are so grateful to welcome you into our new Theatre for One, designed with accessibility in mind, so that each and every performer and audiencer can revel in this gift of reciprocal generosity and the shared experience of presence, attention, connection and be reminded of how vigorously we must work to make sure we never take it for granted again.

 - S R Đ A, Resident Director

Credits:

Artistic Director and Creator: Christine Jones

Resident director: SRĐA

Produced by Octopus Theatricals — Mara Isaacs, Executive/Creative Producer

Costume Design by Hahnji Jang

Lighting and sound Design by Josh Higgason

Sound Design for The Transformed Return by Bill Toles

Composition for The Golda Project by Julian Mesri

Composition for the love vibration by Loren Toolajian

Associate producer/Production coordinator: Bryan Hunt

Stage managers: Lizzy Emanuel, Cassey Kivnick, Randi Rivera, Niccolò Walsh

Commissioned by Arts Brookfield with additional support from Sam ellis

Plays:

The Curse by Jaclyn Backhaus

Directed by Rebecca Martínez

Performed by Angel Desai

Turtle Turtle And That Which We Keep Telling Ourselves Is Over Now by Lydia R. Diamond

Directed by Tiffany Nichole Greene

Performed by Gillian Glasco

Gravida 4 Para 0 by Stacey Rose

Directed by Tiffany Nichole Greene

Performed by Joanie Anderson (8/5-8) or Myxy Tyler(8/12-22)

The Golda Project by DeLanna Studi

Directed by Rebecca Martínez

Performed by Tanis Parenteau

The Transformed Return by Regina Taylor

Directed by Regina Taylor

Performed by Lizan Mitchell

the love vibration by korde arrington tuttle

Directed by SRĐA

Performed by Denise Manning

Biographies:

Jaclyn Backhaus (Playwright, The Curse) is a playwright, educator, arts facilitator, and mother. She is one of five Creative Directors of the process-based arts facilitation group Fresh Ground Pepper, and she is one of the 14 members of the current cohort of The Kilroys, a bicoastal collective that celebrates women, trans, and nonbinary presence in the American theater landscape. She is a Lincoln Center Playwright-in-Residence, and she was once a 2016 Tow Playwright Resident with Clubbed Thumb. She got a BFA from NYU, where she now teaches some skillsets of playwriting to brilliant students. She resides in Ridgewood, Queens, with her husband Andrew J. Scoville, a theater director, and their son Ernie. www.jaclynbackhaus.com

Angel Desai (Performer, The Curse) During lockdown, Angel was lucky to get to: guest star on “Blue Bloods”, star in the short film, “Lady Apsara” for Prospect Theater Company, shoot an episode of her recurring character in “For Life”, record the voice of Queen Lili’uokalani for PBS’ “Unladylike” series, record monologues and plays for Barrington Stage, the Old Globe Theatre, PlayOn!Shakespeare, and Arena Stage, and sing in the American Opera Project’s workshop of the song cycle “Letters You Will Not Get”. She recently shot a GEICO commercial soon to air, and voices Dana Singh in the upcoming 2nd season of Hulu's "Dicktown".  Pre-pandemic, Angel’s most recent TV work included recurring roles on “NCIS: NOLA” and “Jessica Jones”, and guest spots on “FBI: Most Wanted”, and “City On a Hill”.  Broadway: "Company" (2006).   Off-Broadway includes: MTC, NYTW, CSC, Playwrights Horizons, The Public/NYSF, Women's Project, Ma-Yi, MCC.  Film: klutz., The Oh-Gees, This Time Next Tuesday, The Clique, The War Within, Heights, Black Knight, Robot Stories.  MFA in Acting from NYU.

Lydia R. Diamond’s (Playwright, Turtle Turtle and That Which We Keep Telling Ourselves Is Over Now) plays include Toni Stone (Audelco Award nomination for Best Play), Smart People, Stick Fly(Broadway), Voyeurs de Venus (Joseph Jeff Award), The Bluest Eye, The Gift Horse, Harriet Jacobs, The Inside, and Stage Black. Theatres include: American Conservatory Theatre, Arena Stage, Arden Theatre, Chicago Dramatists, Company One, Congo Square, Denver Center, the Goodman, the Guthrie Theatre, Hartford Stage, three productions at Huntington Theatre Company, Jubilee Theatre, Kansas City Rep, Long Wharf, the McCarter, MPAACT, New Vic (New York), Playmakers Rep, Roundabout, Second Stage, Steppenwolf, TrueColors, two productions at Writer’s Theatre Co, and ACT. Commissions include: Arena Stage, Second Stage, four commissions for Steppenwolf, McCarter, Huntington, Victory Gardens, Writer’s Theatre, True Colors, and Roundabout. Diamond was a 2005-2006 W.E.B. Du Boise Institute at Harvard non-resident Fellow, a 2007 TCG/NEA Playwright in Residence at Steppenwolf, an 2006-2007 Huntington Playwright Fellow, a 2012 Sundance Institute Playwright Lab Creative Advisor, a 2012-2013 Radcliffe Institute Fellow, 2013-2014 Playwright in Residence at Arena Stage, has been a five-time Sally B. Goodman McCarter Theatre Artist in Residence, and is the 2020 recipient of the Horton Foote Playwriting Award. Diamond is a 1991 Northwestern graduate, and has an Honorary Doctorate from Pine Manor College. Diamond was a Consulting Producer for Showtime’s 4th season of The Affair, co-writing episodes 406 and 407 and was nominated for a Writer's Guild Award for Best Drama Episode. Diamond was on faculty at Boston University for nine years and is currently on faculty at the University of Illinois at Chicago.

Tiffany Nichole Greene (Director, Gravida 4 Para 0 & Turtle Turtle and That Which We Keep Telling Ourselves Is Over Now) is originally from Houston, Texas. She is both a freelance director and resident director for Hamilton: an American Musical. Her most recent work includes The Wolves (Xavier University), Boudica (Guthrie Theater), A Christmas Carol (Dallas Theater Center), The Danger: A Homage to Strange Fruit (The Jack - Brooklyn), Between Riverside and Crazy (SpeakEasy Stage), Well-Intentioned White People (Barrington Stage), Les Liaisons Dangereuses (Theatre Three), A Raisin in the Sun (Triad Stage), and Skeleton Crew (Trinity Rep). Next, she will direct Angels in America at Pittsburgh Playhouse. MFA: Brown/Trinity. Soho Rep Directors Lab Alum and Lincoln Center Directors Lab Alum.

Gillian Glasco (Performer, Turtle Turtle and That Which We Keep Telling Ourselves Is Over Now) Theatre: Mud Row (People's Light Theatre Company), Pipeline (American Stage Theatre Company), Disgraced (Syracuse Stage), Doubt (Hangar Theatre), Sunset Baby (Kitchen Theatre Company), Knock Me A Kiss (New Federal Theatre/Crossroads Theatre Company), Ain't Suppose To Die A Natural Death (Classical Theatre of Harlem), Court Martial at Ft. Devens (New Federal Theatre), and The Waiting Room (Billie Holiday Theatre). Television: Jessica Jones, Law and Order: SVU, The Black List, Madam Secretary, The Good Fight, Maniac,The Following, Louie, Taxi: Brooklyn South. Feature films: Men In Black:International, Going in Style, Hannah Has A Ho Phase. Short Films: Tough, Moths and Butterflies (HBO).Training: B.F.A in Acting, Ithaca College, Ithaca, New York. 

Joshua Higgason (Lighting and Sound Design) is a video, scenic, lighting, and interactive designer, creating experiences for theater, concerts, opera, and live events. He has worked with Theatre for One since 2011. Recent video designs include Cosi Fan Tutte for Opera di Firenze, Die Ägyptische Helena and Hansel und Gretel for La Scala; Purcell’s King Arthur for Staatsoper Berlin and Theater An Der Wien; Mackie Messer- Eine Salzburger Dreigroschenoper for Salzburger Festspiele ; Acquanetta for Bard Summerscape; Powder her Face for NYC Opera; Persona for LA Opera; Lucinda Childs’ The Day; Ira Glass' Seven Things…Tour; and Sufjan Stevens’ Carrie and Lowell Tour. His work has been seen at Carnegie Hall, Salzburg Festspiele, Bayreuth Festival, BAM, TED, MoMA, Panorama Festival, Beacon Theater, and many others. He is an instructor of performance design at Massachusetts Institute of Technology (MIT).

Hahnji Jang (Costume Design) is a Brooklyn based costume designer and activist, with a focus on sustainable design and conscious personal styling. Hahnji is excited to join the Here We Are team and apply her passion for re-imaging secondhand clothing to bring these diverse womxn to life. Selected projects include Baltimore Center Stage's Men on Boats, The Public Mobile Unit's A Midsummer Night's Dream, new play Incident at Hidden Temple, political tour No-No Boy, and the national premier of the translated Sister Mokrahn. hahnjijang.com

Rebecca Martínez (Director, The Curse & The Golda Project) is the BOLD Associate Artistic Director at WP Theater, an NYC-based director and ensemble member of Sojourn Theatre. Recent projects: I Am My Own Wife (Long Wharf Theatre), Mojada: A Medea in Los Angeles (Repertory Theatre of St. Louis), Miss You Like Hell (Baltimore Center Stage), Wolf at the Door (Milagro Theatre, NNPN rolling world premiere), Anna in the Tropics (Fine Arts Center, Colorado Springs, Henry Award for Outstanding Direction). Martinez has worked with INTAR, Working Theater, Signature Theatre, the Lark, The Playwrights Realm, New Dramatists, the 52nd Street Project, Radical Evolution among others. Member of: Sol Project Collective, INTAR’s Unit52, SDCF Observer, Latinx Theatre Commons Advisory Committee, 2019 Audrey Resident, New Georges Affiliated Artist, 2018-2020 WP Lab, 2017 Drama League Directing Fellow, Member of SDC. www.rebeccamartinez.org

Tanis Parenteau (Performer, The Golda Project) is an actor/producer from the Métis Nation of Alberta (Cree). TV: Billions, FBI: Most Wanted, Designated Survivor, House of Cards. NYC: The Public Theater, Signature Theater, 59E59 Theaters. Regional: Oregon Shakespeare Festival. She does voice over work and also narrates audiobooks for Penguin Random House, Audible, Hachette and Simon & Schuster. Her production company, TDEP Productions, focuses on uplifting contemporary Native stories and smashing harmful Native stereotypes. Tanis is on the SAG-AFTRA National Native Americans Committee, a member of the North American Indigenous Center of New York and the Tribal Liaison at AlterTheater. Master of Fine Arts in Acting from The New School for Drama. www.tanisparenteau.com

Stacey Rose (Playwright, Gravida 4 Para 0) hails from Elizabeth, N.J. and Charlotte, N.C. respectively. Her work has been presented at: The Fire This Time Festival, The Lark, Rattlestick Playwrights Theatre, National Black Theatre, Pillsbury House Theater, Barrington Stage Company, and Kansas City Rep. Rose has held fellowships/residencies with The Dramatists Guild, The Playwrights' Center, Sundance Theatre Lab, The Goodman Theatre, The Civilians, and Tofte Lake Center. She had two plays featured on the 2019 Kilroys list, with a third listed as an honorable mention. Her play Legacy Land was on the 2020 Kilroys list. She is a recipient of a 2019 Virginia B. Toulmin Foundation Women’s Commissioning Grant in partnership with Rattlestick Playwrights Theatre. She is currently a staff writer for 9-1-1 on Fox. Rose’s work celebrates and explores Blackness, Black identity, Black history, body politics, and the dilemma of life as the “other.”

SRĐA (director, the love vibration/ Theatre For One Resident Director) is a genderqueer Yugoslavian-American creative/director. Centering queer + third-culture themes, SRĐA’s work includes theatrical productions, film, experiential events and has been seen on-and-off Broadway, around the country + globe and floating on international waters with Disney Cruise Lines. SRĐA has developed new and revived works with Lincoln Center, Joe’s Pub, Ford’s Theater, The Civilians and more. SRĐA has worked the resident director of the internationally-acclaimed Theatre for One since 2017, leading residencies at Lewis Center for the Arts, Crystal Bridges Museum of American Art, Cork Midsummer Festival and Abbey Theatre in Dublin with the work being described as "creating an exhilarating sense of aliveness” by The Guardian. In the wake of the 2020 Election, SRĐA created the 20-episode Vote. PSA series garnering over 500,000 views online and recently directed the world premiere of the all-Black Drag Spectacular, NUBIA. SRĐA is currently in development for two unscripted television concepts and writing a first screenplay based on the life + death of Gavrilo Princip. www.sr-da.com

DeLanna Studi (Playwright, The Golda Project) is a proud citizen of the Cherokee Nation. She is an actor/playwright whose television credits include Dreamkeeper, Edge of America, Shameless, General Hospital, Z Nation, and the recent season of Goliath. Her theater credits include the First National Broadway Tour of August: Osage County, Off-Broadway’s Informed Consent, and Gloria: A Life. She retraced her family’s footsteps along the Trail of Tears with her father and created her play And So We Walked which has been touring for the last two years. And So We Walked was the first American play selected to perform at the Journées Théâtrales de Carthage in North Africa. DeLanna is the Chair of SAG-AFTRA’s National Native Americans Committee and the Artistic Director of Native Voices at the Autry, the only Native American Equity theater in the country devoted to developing and producing new work by Indigenous playwrights. 

Regina Taylor (Playwright & Director, The Transformed Return) is an actress, director, playwright, educator, and activist. She is the Andrew Mellon grant playwright in residence for Repertory Theatre of St. Louis. Taylor’s Oo-Bla-Dee is being presented for Repertory Theatre of St. Louis and Theatre Three 2020-2021. Taylor is writing new plays for Audible and SMU (the black album). She recently curated and directed Love and Kindness in the Time of Quarantine (short plays by Magaly Colin-Christopher, Migdalia Cruz, Erik Ehn, Catherine Fillioux, Lyle Kessler, Yilong Liu, Eugene Lee, Rohina Malik, Chrystal Skilman, Chesney Snow, and Jose Rivera. Planet Connections Zoom Festival). In addition, her playwrighting credits include Bread (Edgerton Award. Water Tower Theater), Crowns (four Helen Hayes awards, including Best Director), Oo-Bla-Dee (Steinberg-ATCA Award), Drowning Crow (Broadway, MTC), The Trinity River Plays (Edgerton Foundation Award), and stop.reset (Signature Theater Residency Five).

Taylor received the Denzel Washington Endowed Chair Fordham University at Lincoln Center. An Artistic Associate of Goodman Theatre, Taylor is its most produced playwright. As an actress, Taylor is featured in Netflix’ All Day and A Night starring Jeffrey Wright, Ashton Saunders, and directed/written by Joe Robert Cole (writer: Black Panther). She guest stars on Council of Dads (NBC) and Love Craft Country (Jordan Peele, J.J. Abrams, Mischa Green), Red Line (Producer Ava DuVernay CBS), and The Good Fight. For her television role as Lily Harper in I'll Fly Away she received a Golden Globe Award for Best Performance by an Actress, three NAACP Image Awards, and two Emmy Award nominations. Her other television roles include The Unit. Taylor was first African-American lead in Masterpiece Theatre’s Cora Unashamed, starred as Anita Hill in HBO’’s Strange Justice (Gracie Award), and A Good Day to Die starring Sidney Poitier. She has co-starred in USA Networks’ Dig and guest starred in Elementary and The Black List. Taylor’s film credits include Saturday Church, The Negotiator, Courage Under Fire, Clockers, and Lean on Me. Taylor was also the first Black woman to play Juliet in Romeo and Juliet on Broadway.

korde arrington tuttle (playwright, the love vibration) is a multidisciplinary artist from charlotte, nc. as a playwright and librettist, their work has been developed and seen at the goodman theatre, the ojai playwrights conference, bam, artsemerson, the kennedy center, and the la phil. korde has written for television as a staff writer for the netflix series soundtrack, and amazon series them. their plays include graveyard shift, clarity, and leaving lazy oak lane. they published falling is the one thing i, a book of haiku and photography, with candor arts in 2018. korde received their mfa at the new school.

Christine Jones (Creator and Artistic Director) is the creator of Theatre for One along with Lot-ek Architects. 

She is a Tony and Olivier award-winning set designer, experience creator and sometimes director having directed the immersive nightclub dining experience, Queen of the Night, which won a Drama Desk for Unique Theatrical Experience. Her award-winning scenography has been seen on Broadway and in the original London productions of Harry Potter and the Cursed Child, as well as in the Broadway musical American Idiot.  Other Broadway credits include: The Cher Show (co-designed with Brett J. Banakis); Old Times; Hands on a Hardbody; On a Clear Day; Spring Awakening (Tony Nomination); The Green Bird (Drama Desk Nomination); and Everyday Rapture. Off Bway highlights include Cyrano (The New Group); and The Book of Longing, based on the poems of Leonard Cohen, with music by Philip Glass (Lincoln Center Festival).  Opera designs includeLa Traviata and Rigoletto (Metropolitan opera). Her work was featured in the 2008 exhibition Curtain Call: Celebrating a Century of Women Designers at Lincoln Center Library. Along Brett J. Banakis, Jones redesigned The Lyric Theatre in NY, home to the production of Harry Potter and the Cursed Child.  In 2015, she received an Obie for Sustained Excellence in Set Design. She has lectured at Princeton and teaches at NYU’s Tisch School of the Arts. In addition to creating theatre, she has worked with the clothing line Rag & Bone to create a one of kind one-night event, and she is currently in collaboration with Steven Hoggett and David Byrne making a dance experience for these socially distanced times we are living in.

Octopus Theatricals (Producer). Founded by creative producer Mara Isaacs, Octopus Theatricals collaborates with artists and organizations to foster an expansive range of compelling theatrical works for local, national and international audiences. They eschew boundaries – aesthetic, geopolitical, institutional—and thrive on a nimble and rigorous practice. Current projects: Hadestown by Anaïs Mitchell (Broadway, eight Tony Awards including Best Musical; Grammy Award, Best Musical Theater Album); Iphigenia, a new opera by Wayne Shorter and Esperanza Spalding (in development); Dreaming Zenzile by Somi Kakoma (in development) ; An Iliad by Lisa Peterson and Denis O’Hare (Obie Award); the Ars Nova production of Underground Railroad Game; And So We Walked by DeLanna Studi; Bill Irwin’s On Beckett; Activist Songbook by Aaron Jafferis and Byron Au Yong; and Theatre for One. We are also proud to work with Fiasco Theatre, Phantom Limb Company, Ripe Time, Song of the Goat Theatre and many more. The Octopus Theatricals team includes Sophie Blumberg, Victoria Detres, Michael Francis, Bryan Hunt, Adam Hyndman and Rob Laqui. www.octopustheatricals.com

ABOUT THEATRE FOR ONE

Theatre for One was originally conceived as a mobile state-of-the-art performance space for one actor and one audience member. Conceived by Artistic Director Christine Jones and designed by LOT-EK architects, Theatre for One commissions new work created specifically for each venue's one-to-one relationship. Embracing serendipity, Theatre for One is presented in public spaces in which audience members are invited to enter into an intimate theatrical exchange in which actor and audience member encounter each other as strangers and are equally dependent on each other. Theatre for One is produced by Octopus Theatricals and was originally produced by True Love Productions.

Theatre for One residencies have been seen in Times Square, Brookfield Place’s Winter Garden, Zuccotti Park, Grace Plaza, Signature Theatre, Fairfield University, Princeton University’s Lewis Center for the Arts, University of Arkansas, and the Cork Midsummer Festival. This October a residency will take place at Dublin’s Abbey Theatre. Here We Are marks Theater for One’s first ever virtual residency.  

ABOUT MANHATTAN WEST  

Opening September 2021, Manhattan West is New York City’s newest dynamic destination for food, culture, retail, hospitality and the modern workplace by Brookfield Properties. Spanning eight acres, Manhattan West is located in the center of Manhattan’s new west side, steps away from Moynihan Hall, Madison Square Garden and The High Line, with seamless access to the theater district, entertainment district, Chelsea art galleries, Meatpacking District and more. Home to diverse world-class office space, Pendry Manhattan West Hotel, luxury residences at The Eugene, experiential retail amenities, interactive installation Citrovia, and unparalleled culinary concepts surrounding a landscaped, two-acre public plaza enlivened with immersive art and entertainment programming by Arts Brookfield, Manhattan West incorporates the best of Brookfield’s global placemaking portfolio to create a new district that has something for everyone. 

ABOUT ARTS BROOKFIELD 

Arts Brookfield supports innovation in music, dance, theater, film, and visual art by pushing boundaries to create unique works of art and cultural experiences presented for free. Thriving for over three decades, the program gathers communities around creativity by animating Brookfield Properties' public spaces.      

Arts Brookfield Staff:

Elysa Marden, Senior Vice President & Artistic Director 

Courtney Whitelocke, Events Director

Lauren Moriah Stern, Events Manager 

Tara Davis, Marketing Director 

Abigail Clark, Marketing Manager 

Alexandra Axiotis, Marketing Manager 

Rebecca Zuber, Senior Production Director 

Emily Rolston, Production Manager 

Catherine Maliha, Assistant Production Manager 

Brandon Vensand, Technical Director 

Dalis Wilson, Senior Financial Administrator 

Lindsey Arora, Executive Assistant